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Olympic Moments

  Posted by Jemi , 22 August 2016 · 17 views

The Olympics are over - until next time.

Two weeks of emotional highs and lows. I always want everyone to achieve personal bests and to fulfill their dreams. :)

I love the athletes who are thrilled and awed to be there despite knowing they have no realistic chance to medal.
I love the camaraderie among many of the athletes despite the fact they're competing against each other.
I love learning fascinating tidbits about sports I've loved for a long time and sports that are new to me.

For me, there were many highlights, but a few stood out:
  • Watching the Men's Rugby 7s Team from Fiji listen to their national anthem after winning their country's first ever Olympic gold medal
  • A young Brazilian man achieving a personal best and surprising the field by winning the Gold in pole vault
  • Simone Biles
  • Usain Bolt
  • Our Canadian athletes - medaled and otherwise. So many amazing stories, so many incredible moments
  • Our fabulous Canadian television coverage. Three stations worked together to ensure coverage of a bazillion events. At many times I could access 7 channels all showing different events. 7!!! And not all focused on Canadian athletes. Instead, we were able to see a huge range of sports showcasing many different countries. Fantastic!
The Olympics always give me hope that Humanity is taking steps to be better, to work together, and to take peace seriously. Let's hope that's true!

Are you an Olympic junkie? What was your favourite moment?




  Posted by Jemi , 08 August 2016 · 48 views

2016 hasn't been an easy year, both in my personal corner and around the rest of the world.

It can be overwhelming and devastating.

We can't fix it.
We can't forget it.
We can't let it continue.

But, we often feel so powerless.

At school, we often have conversations about change. And that the only person's behaviour we have any control over, is our own.

We can change how we act.
How we react.
How we think.
How we help.
How we love.

Start small.
Change yourself for the better.
One small improvement leads to another.
One small example spreads.
One kind word or gesture can make a bigger difference than you'd ever expect.

Be kind.
Be thoughtful.
Be better.

Be the change you want to see in the world
~ Gandhi



IWSG & Star Trek & Floppy Disks

  Posted by Jemi , 03 August 2016 · 85 views

The Insecure Writer's Support Group is the brainchild of Alex J. Cavanaugh. He, his clones, minions, friends, and fellow authors make it an amazing event every month.

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

And we’re revving up IWSG Day to make it more fun and interactive! Every month, we'll announce a question that members can answer in their IWSG Day post. These questions may prompt you to share advice, insight, a personal experience or story. Include your answer to the question in your IWSG post or let it inspire your post if you are struggling with something to say. 

AUGUST 03rd QUESTION: What was your very first piece of writing as an aspiring writer? Where is it now? Collecting dust or has it been published?

Okay, let's see..

I think this piece would count...

A long, long time ago, when the kids were still very young, I wrote a Star Trek TNG novel. For years, I'd been making Star Trek scripts in my head and I decided to type one out.

I actually don't remember much about it, except:

  • Geordi was the main character of the main plot line
  • The planet involved had no women's rights and some very barbaric customs
  • Geordi got involved with Jaya, a woman from the planet
  • Jaya was very tough, didn't trust easily, and was trying to change her world
  • Jaya was killed at the end
  • A sub-plot involved Deanna using her empathic senses to navigate through an underground prison
  • Deanna and Worf's relationship was developing

That's about it. As far as I remember it was extremely melodramatic and a bit (or a lot!) cheesy. I think it's probably languishing on a floppy disk somewhere. If I find it, I'll have to find a computer with an A drive! 

When I got brave enough to check out a copy of Writer's Digest from the library, I discovered that only "agented submissions" were accepted by the Star Trek people. I had NO idea what that meant, but it sounded very Hollywood-esque. I assumed only famous people had agents.

End of journey.

I knew less than nothing (obviously), but that novel niggled in the back of my head (and my heart) for a lot of years. When I finally decided to actually give this writing thing a go, I already knew I was capable of completing a draft. And THAT is worth something!

How about you? Any fan fiction writers out there? Anyone know what an A drive is? Where's your very first draft?



Laurel Garver & Fish Out of Water!

  Posted by Jemi , 18 July 2016 · 52 views

Please welcome one of my bloggy friends to the blog today -- Laurel Garver!
The amazing power of fish-out-of-water stories

Stories about a character forced into an unfamiliar context are a staple of creative narratives, from books to plays, TV
shows, and films. The most common kind of fish out of water is geographical—crossing the urban-rural divide or visiting a foreign land. Crossing socioeconomic or class divides is common in fairy tales, yet often with very little realistic nuance—going from pauper to prince overnight would actually be quite stressful! Other divides include ethnic (My Big, Fat Greek Wedding), religious (David & Layla), educational (Good Will Hunting), temporal (A Connecticut Yankee in King Arthur’s Court), and generational (Freaky Friday).

We love fish-out-of-water stories because they tell us about the human condition, and make us examine our own inner workings. Every one of us has places where we feel at home and places where we don’t. Those contrasts, if handled well, make for wonderful story tension. 

Here are some of the specific “powers” these kinds of stories have, as I discovered while writing my latest novel, Almost There, about an urban teen who, on the eve of a trip to Paris, gets stuck in her mother’s rural hometown. 

Reveal temperament
Characters’ reactions to unfamiliar environments shows how adaptable, accepting, or curious they are. Does the unfamiliar threaten or fascinate? How confidently or timidly do characters carry themselves among those unlike them? 

Weaknesses and fears that never come out in familiar, comfortable environments often show themselves in new venues. Conversely, the new experiences can cause unknown interests and strengths to emerge. 

When I dropped New Yorker Danielle in rural northern Pennsylvania, I found that her city-kid independence expressed itself as curiosity—and also made her seem a bit cocky to the locals. The wooded landscape initially frightens her, but also proves an inspiration for creating new art.

Reveal a comfort zone and sense of “normal”
Your concept of what is safe or dangerous, wonderful or disgusting, cool or weird is to a large degree colored by how unfamiliar things compare to life inside your comfort zone.
An urbanite will feel far more comfortable in man-made environments and in the press of a crowd. Put one in the woods, and they’ll likely find the environment deeply sinister. Sounds they can’t account for might be a dangerous predator; dirt could be full of gross, crawly things. 

As an outsider, a character might make striking or hilarious observations a local wouldn’t. For example, on arriving at her grandfather’s, Dani describes the summer hum of crickets chirping as “a threatening cacophony, reminding me that this is their crawly, leggy, wingy territory.”

Dani’s normal is multicultural and fairly unfazed by difference. When she learns the neighbor has been labeled with the ethnic slur “Mick,” she quips, “Seriously? Is being Irish considered weirdly ethnic here? In New York, you could have earlobes stretched to your shoulders and pierce your whole face with nails and hardly get a passing glance from anyone.” 

Reveal underlying biases 
Characters approach unfamiliar things with a set of expectations—sometimes even deep prejudices they didn’t know they held until put in proximity with this environment. 

For example, when an unfamiliar beater Volvo appears in her grandfather’s driveway, Dani assumes that only an elderly person would drive such a car, and this person must be “be a granny from Poppa’s church bringing us dinner. I hope it’s one of those epic tuna noodle casseroles with crushed potato chips on top that Mum always jokes about. I bet it’s as delicious as it is lowbrow.” It’s actually one of her New York friends, an additional shock because she’s accustomed to no one learning to drive until they’re 18 and no longer a restricted “junior learner”—rules peculiar to the five boroughs. 

Awakening to biases can become an instrument for change in a character. When Dani befriends a neighbor and sees the ways he struggles that she never has, she begins to re-evaluate her own life, and realizes just how privileged her upbringing has been. 

Reveal values
We all naturally make judgments about unfamiliar things. The familiar world will be held up as a model, and the unfamiliar measured against it as either inferior or superior. How a character makes value judgments about which culture is superior gives a very accurate window into their entire value system.

For example, Dani recognizes in the neighbor boy an entrepreneurial drive she’s never seen in her city friends. She notes that he acts “like a grown man” when seeking work and calls it “intriguing.” Rather than label him a boring workaholic, she admires his maturity. 

What is your favorite fish-out-of-water story? Why does it speak to you?

About the Author
Laurel Garver is a Philadelphia-based writer, editor, professor’s wife and mom to an arty teenager. An indie film enthusiast and incurable Anglophile, she enjoys geeking out about Harry Potter and Dr. Who, playing word games, singing in church choir, and taking long walks in Philly's Fairmount Park. You can follow her on her blog, on Twitter, or on Facebook.

About Almost There
Genre: Young Adult Inspirational

Paris, the City of Lights. To seventeen-year-old Dani Deane, it’s the Promised Land. There, her widowed mother’s depression will vanish and she will no longer fear losing her only parent, her arty New York life, or her devoted boyfriend.

But shortly before their Paris getaway, Dani’s tyrannical grandfather falls ill, pulling them to rural Pennsylvania to deal with his hoarder horror of a house. Among the piles, Dani finds disturbing truths that could make Mum completely unravel. Desperate to protect her from pain and escape to Paris, Dani hatches a plan with the flirtatious neighbor boy that only threatens the relationships she most wants to save. 

Why would God block all paths to Paris? Could real hope for healing be as close as a box tucked in the rafters?

Available here: Amazon  /  Barnes and Noble  /  Smashwords  / Apple iTunes   

Thanks Laurel!

I love fish-out-of-water scenes and stories. The story I'm currently attempting to plot plotting is going to have a strong element of this. 

Maybe my love goes back to my the first time I saw Wizard of Oz! 
How about you? What's your favourite Fish-out-of-Water story?



Visiting at The Insecure Writer's Support Group

  Posted by Jemi , 11 July 2016 · 49 views

Hi, everyone!

Today I'm honoured to be guest posting over at the IWSG blog. It's such a great group of people, I'm thrilled to be visiting. I hope you'll join me -- and bring your thoughts about kids today and their reading and writing habits!

You’re a teacher, correct? I’d love to see something that relates to young people reading. How to get them involved – as a parent, a teacher, a writer, etc.; how to get them excited about reading and writing; and what young people would most like to see in books today. You can reference any websites you need to. That sound good?

post for IWSG

As a teacher, I often hear adults telling me that it's such a shame that kids don't read or write anymore.


They haven't been to my school!

Of course, there are always kids who don't like to read, just as there are always kids who don't like to play volleyball, or study Science, or do long division. On the first day of school, I always ask who likes to read. Generally I get about two-thirds of the hands to go up, leaving me with one third I have to work to convert. When I tell them, they'll all like reading by Christmas, they give me sympathetic smiles and shake their heads.

They're almost always wrong.

Most of the people who don't love to read have some sort of struggle with it.
  • they struggle with phonics and/or sounding out words
  • they can't visualize in their heads as the story unfolds
  • they have no interest in fiction
  • they have some kind of learning difference or disability
  • they need glasses
  • they have low self-esteem or self-confidence
  • they're not risk takers
  • ... 
There are (obviously) many ways to solve all of the above troubles, but one of the best ways to encourage kids to love stories is to read aloud really good ones. I try to choose books that encourage conversation and are books they've never encountered before. I very, very rarely choose books that have been made into movies (and I get really annoyed when the powers who be turn one of my faves into a movie!). Maniac Magee. Underground to Canada. The Giver (BOO to the movie people!). Ranger's Apprentice. The Shadow Children.  And Then There Were None. Hatchet. Ice Dogs. And so many more.

Despite themselves, students get caught up in our stories and discussions. I NEVER turn a read aloud into an assignment. It's all about pleasure. 

I've had classes beg to hear the ends of stories. One class even insisted I read aloud on a bus ride because they HAD to know what happened next. I've had entire classes in tears when we got to THAT scene in The Outsiders. I've had students rage and argue about book endings (I'm looking at you, Lois Lowry!). I've had students write to authors on their own to talk about books. I've had students who professed to hate reading turn into some of the most passionate readers I know.

And I've had students create magic by writing their own stories.

Confidence starts early. By reading and hearing really good books, students learn how stories work. They inhale the rhythms of language and plot. They know the joy of the happy ending and the incredible power of a not-so-happy ending.

People are natural story-tellers, but we often have the squelch our innate tendencies as we learn to behave 'properly' in public. Kids are more willing to take risks, and, as adults, we often need to take ourselves out of their way and let them create.

Maybe one day, authors will be more filled with confidence than you and I, and we won't need wonderful sites like the IWSG! While that day isn't today, I have faith it won't be that far into the future!

So, tell me, do you have any memories of favourite books you had read to you?



Jacqui Jacoby & Those Bumps in the Night

  Posted by Jemi , 11 July 2016 · 45 views

Please welcome Jacqui Jacoby back to the blog!
I never set out to be a thriller writer. I always thought I leaned toward action/adventure, with a twist of romance. I don ‘t mind at all that is where I ended up. The stories are harder to write than mere action, but it was challenge I was able to face.

·       Romance means a character meets a character and fireworks fly across the page.
·       Action/adventure is the idea that somewhere in that story these characters are going to go somewhere where an escapade begins. I think it’s safe to say action will insure.
·       Defining action: that adventure that started is going to take some twists not anticipated and those twists will take your characters on a wild ride.

An action/adventure will change the way your characters see their lives.

A thriller will change the way they see their world.

Whereas the premise that action is happening, it is action that has a unforeseeable conclusion that will lead the characters down a dark corridor.

Whatever the characters are facing, it is an experience that is theirs alone.

That is a valuable quality in a relationship, it pulls them closer, makes them realize this person is experiencing this event with me. They will turn to each other for support. They may have doubt and blame the other, if only for a moment … “If you had turned left instead of right, we wouldn’t be facing this disaster … “ It doesn’t last as they come to realize they need each other to get to the other side of normal.

There are two primary elements to writing a thriller. The first and foremost is the villain. If there is not an adequate villain to put in front of your characters, if he is too easy to defeat, the point of the thriller is lost. Does a villain have to be flesh and blood? No, not at all. Think Jaws and you realize man was going up against “twenty-five feet with three tons on him …” ~Jaws

Creating a decent villain is the same process as creating your hero. You plan, you plot and you get to know them in order to know how far they will go and what is the kryptonite. 

For Dead Men Play the Game I plotted out Walter Bennett’s background to the point of before he was even turned into a vampire. I knew what he was like human. And those writer’s labeling their villain with “Ah, he’s just a psychopath, that’s why he does it…” is not the most well rounded way to go--too common and easy to use. 

SPOILER: Walter was a psychopath. I didn’t know that when I started. I knew that after I became afraid of the dark for awhile.

 MORE SPOILERS: When I was done fleshing him into existence, I knew that he had killed six people in the area where he was raised -– including his younger sister – before the vampire who turned him offered the chance to kill forever. Walter didn’t even try to decline. Walter was psychotic. He was a serial killer before anyone knew that was meant. His obsession with Ian Stuart didn’t derive so much from “Walter’s long lost love” but rather from the concept Ian walked away and never bowed to the threats mixed with the declarations. Walter was twisted beyond words, but his goal was revenge plain and simple.

 Know your villain enough to be cautious at night when you walk into that room before you turn the light on.

The other primary element in a thriller is escalation.

Which is actually a very simple concept: your heroine is faced with an ex-boyfriend who she realizes is demented and she wants out. Enter hero, Sean Branigan –Bystander.

 Whereas the inciting incident might be subtle--a hang up call, for instance. The next incident will take that up a notch—watching her work and she actually doesn’t know until he sends her the photos. When the next thing happens, it’s scarier, she’s more helpless. The pattern continues –- each event scarier than the last until the final climax hits full force and no one is safe.

Balancing the events of terror in the story is also important. You don’t want forty-seven separate incidents before the climactic scene—I used five in Bystander.

 The placement of events: you do want to stay with odd numbers verses even numbers of events. Presenting an even number creates the feeling of balance, even when you are not aware the mind is filing. Odd numbers force your brain to seek interest, it makes your thoughts move in an unexpected patterns. It keeps you on your toes. Makes you just a little closer to “What was that noise?”

Writing thrillers is a bit more work than writing a straight romance. I am half-panster/half-plotter but when working on a thriller I do have to have that minimum of planning of what event happens where, where does it take us, and finally, place them in position of the plot then work around that to create the rest of the story.

Seeing these stories unfold with comments from readers of “I couldn’t put it down …” makes it worth every moment of aggravation I might face putting a story together.

Jacqui Jacoby on the web:

           Blog                       Twitter        Facebook

Google + Jacqui Jacoby          Instagram: JacquiJaxJacob      Pinterest: Jacqui Jacoby

The crime wasn’t in what Trevor Grant had done. It lay in what was done to him. Now, years after he lost his family, he faces life in prison for his part in removing the guilty. In Hannah Parker’s mind, she has two strikes against her: she has too much money and too many
brains. In her experience where one of these might blacklist you, the two together was a life sentence.

When the chance comes to see the boys on trial, their cause becomes her cause. With the silent resources behind her, she will work the system, securing the release of the men she believes innocent of conscience, if not the crime.

Strangers coming from different backgrounds, Trevor with Gavin, will join Hannah. She will become part of their everyday living—holding Trevor close—even as they keep an escape plan in place in case anyone ever looks twice and asks “do you live around here?” 

Buy Links

iBooks        Kobo       Nook

Thanks Jacqui! What an interesting insight into the writing of a thriller! I love that you're a planner/pantster, too.

What about you? Anyone out there write thrillers? Any advice to offer?



IWSG and All Things Nice

  Posted by Jemi , 06 July 2016 · 77 views

Time to jump into the IWSG pool!

The Insecure Writer's Support Group is the brainchild of Alex J. Cavanaugh. He, his clones, minions, friends, and fellow authors make it an amazing event every month.

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

And we’re revving up IWSG Day to make it more fun and interactive! Every month, we'll announce a question that members can answer in their IWSG Day post. These questions may prompt you to share advice, insight, a personal experience or story. Include your answer to the question in your IWSG post or let it inspire your post if you are struggling with something to say. 
JULY 6 QUESTION: What's the best thing someone has ever said about your writing?

Great question!

We (or is it just me???) tend to focus on our needs and weaknesses a lot of the time. It's important to remember that we have strengths too.

I recently gained a new critique buddy and have been exchanging chapters of our current WIPs. It's a lot of fun working with other writers and each crit buddy and beta reader brings something different to the table.

This new buddy gave me an awesome compliment in a recent email... I think you are a certainty to get this published. It's quite clear you've mastered your writing craft.

Wow! As you can no doubt understand, I've been smiling ever since! 

How about you? What positives have you heard recently about your writing?
Remember to check out this link to find other IWSG posts!



Robin Gianna & Research Your Way to a More Believable Book

  Posted by Jemi , 20 June 2016 · 105 views

Please welcome Robin Gianna back to the blog today!

Research is one of those things some writers love and others hate, but no matter which camp you belong to, most stories require at least a little information-gathering. The trick to research is to learn enough to enrich your story with believable detail, but not to spend so much time on it that you never get the book written, or even started!  

Give yourself a set period of time for the first sweep of research.

Avoiding the pitfall of researching in place of writing is fairly easy. Give yourself a set period of time, maybe a week, to get important research done.  Information about your setting, for example, or details about your characters’ professions, or the time period you’ve set the story in.  After a week, get going on the book.  When you’re writing and come to a place in the story where you realize you need to look something up, don’t stop to do it!  Instead, put a bracket there and keep going.  When you’ve hit your word count goal, put on your research hat again, search for the brackets in the manuscript, then spend time finding out all you need to know for those particular scenes.

The Internet

Where and how to research will depend a bit on what you’re writing, but the easiest place to get started in on the Internet. The Web is, of course, an amazing resource, making our lives as writers so much easier than it used to be.  What’s the average temperature in Italy in April?  What do Parisians usually eat for breakfast?  What do houses in Guatemala look like?  Ask most any question, and you can find an answer.  

The library

Maybe I’m old-fashioned, but I still stop into the library when I’m starting a book. While there are plenty of images to be found online, I love having a book with photos of where I’m setting my story, filled with information that often is easier to look through than surfing dozens of Internet sites.  I’ve also had a few occasions where I was able to find a memoir or biography that enriched my story in ways I couldn’t have foreseen.

Talk to people who know

But nothing beats talking to people who are experts on whatever you’re researching.  For my medical romances, I talk to family, friends, and acquaintances in the medical field for ideas, details, and sometimes even dialogue so I’ll know how characters would really talk in a trauma situation, for example, or in the OR.  I hear you saying, “Well, that’s nice for you, Robin, because you know people in the field, but I don’t know any police officers to interview for my suspense story.”  In my experience, people enjoy talking about their work and what they do, or what it was like growing up in New York City, or their work travels to foreign countries.  I’ll bet you know people who’ve had interesting experiences that might trigger a story idea.  And if for your current WIP you need to learn about police procedure or what the life of an EMT is like or what an archaeologist does on a dig, a phone call will likely get you invited to the police station or firehouse or university to talk to one or more people about it all.  I promise you’ll be glad you did.

Research your way to new ideas

And that brings me to my last, but more important, point about research! Often, we don’t even know what we need to know for a story until we talk with people who have a deep understanding of what we want to learn, or study a book on the subject in-depth. A number of times, research has given me insight I would never have found on my own, and which gave me a new scene or even sent my story in a direction I hadn’t planned on. Sometimes that happens through Internet research, but it occurs more often when I’m talking one-to-one with someone. And those scenes and new directions always have enriched my stories for the better. For this reason, I believe writers should research more deeply than we think we need to, even if we only use 20% of what we learn in the actual book. Knowing a lot about a setting or time period or career gives us a deep understanding of the world our characters live in, which shines through when we’re writing from their perspective. It’s one of the things that brings a character to life for the reader, which is so important.

So remember—research isn’t just about those little details like average temperatures or popular foods in Venezuela or trendy places to live in San Francisco. Digging deep will truly inspire new ideas and directions that will make your characters more believable, your story stronger, and maybe even make it easier to writer.  And isn’t that always a great thing?

How about you?  How do you go about researching your stories?  Any interesting things that have happened to you along the way that brought a book to life?  I’d love to hear about it.


Robin Gianna on the web:

Website             Facebook         Twitter

His Cinderella midwife 

Gabriella Cain prides herself on the exemplary service she provides to her celebrity moms-to-be. So she certainly doesn't appreciate Dr. Rafael Moreno suddenly taking over her department…even if he is royalty—and gorgeous! 

But distrust soon turns to secrets shared as irresistible Rafe proves dangerously easy to fall for. With a painful past behind her, can Gabriella dare hope for a fairy-tale ending with her prince?

Buy Links:

Amazon Kindle             Amazon UK           Amazon Aust

B&N            Harlequin US

M&B UK            M&B Aus

iBooks               Kobo               Book Depository

One Kindle Copy Giveaway of The Prince and the Midwife to one commenter!       

Enter this Goodreads Giveaway to win a signed copy of The Prince and the Midwife.

Thanks Robin!
It sure is easy to disappear into a research cave - love the idea of setting a timeline to avoid staying there too long.

Anyone have interesting research stories? I know I've found out more about branding cattle than I ever thought I'd know! 



Humanity Should

  Posted by Jemi , 13 June 2016 · 65 views

Humanity should = Compassion

Humanity should = Love

Humanity should = Support

Humanity should = Respect

Humanity should = Freedom

Humanity should = Hope

In the midst of yet more sadness and heartbreak in the world,
it's important to look for and celebrate the moments of kindness and hope.

Every classroom in our school boasts a Positive Space poster. We believe in the message.

We have a bathroom for anyone who isn't comfortable using the group bathrooms.

We have books throughout the school representing all kinds of people in all kinds of situations. We read them together. We discuss how we can make the lives of others better.

Posters quoting powerful messages from Maya Angelou, Albert Einstein, MLK Jr., Gandhi, and so many more decorate our classrooms and hallways and spark questions and discussions.

Young voices question the hate they hear about in the news.

Young hearts are devastated to hear how humans sometimes treat each other.

Young people build connections and relationships and friendships with other young people who look/think/act/believe/love/feel/suffer/celebrate/wonder differently.

It's not everything.

But, it's a start.



Misha Gericke & Writing Advice

  Posted by Jemi , 16 May 2016 · 38 views

Please welcome my good blog buddy Misha Gericke to the blog today!
About writing advice…

I like sharing writing advice, especially with new writers who are still finding their way. But when I know the writer asking for advice is very new, the best thing I (and any other experienced writer) can do for them is not to tell them how to write. 

Yes, I know. It’s so very tempting to want to make things easier for the new kid. I mean, we’re all a nice bunch of people. And we all remember (and still experience) the pain of having to find our way through our writing. 

But here’s the thing. “How do I write?” has about a million very complicated answers—all of which contradicting others in at least one way. The reason is simple. If a new writer asks “How do I write?” your answer will invariably be about how you write. 

So the safest answer to “How do I write?” would be: “I haven’t the foggiest.” 

As such, I have taken to advising new writers along the following lines: 

Find out what works for you. If plotting bores you, don’t plot. If pantsing gets you stuck and you hate that feeling, don’t pants. If you find yourself feeling trapped because you just want to get to the scene that inspired you, don’t write the story chronologically. If you feel writing chronologically helps you stay focused, then do it. If you feel like you keep killing your story because you’re editing too much too soon, find a way to prevent yourself from editing until the draft is done. Like… Whatever, man. 

There is no right or wrong way to write a book. The right way for each writer is whatever way that gets the project done. If that means that writer needs to stand on their head as they write, then so be it. 

But I think it’s absolutely wrong of writers (no matter how well-meaning they are) to act as if their way is the only one to succeed. So let’s see about stopping that trend, shall we? 

What’s the weirdest part to your writing method? (Mine is to write all rough drafts by pen.) 

About the Book

First, do no harm.” Blake Ryan swore that oath to become a doctor. Ironic, given that he spent most of his thousand year life sucking souls out of other immortals.

Things are different now. Using regular shots of morphine to keep his inner monster at bay, Ryan has led a quiet life since the Second World War. His thrills now come from saving lives, not taking them.

Until a plane crash brings Aleria into his hospital. Her life is vibrant. Crack to predators like him. She’s the exact sort of person they would hunt, and thanks to a severe case of amnesia, she’s all but defenseless.

Leaving Aleria vulnerable isn’t an option, but protecting her means unleashing his own inner monster. Which is a problem, because his inner monster wants her dead most of all.

About the Author

Misha Gerrick lives near Cape Town, South Africa, and can usually be found staring at her surroundings while figuring out her next book.

If you’d like to see what Misha’s up to at the moment, you can find her on these social networks:


This had to be what dying felt like. Floating outside my body, waiting for that final link to my life to be severed, only vaguely aware of indescribable pain. More screams than I could count rose up around me. Hundreds of footsteps beat against tiles. I couldn’t open my eyes if I wanted to. Not when it was easier to listen and wait. People shouted for a doctor or an IV, or a thousand other things that made no sense. I listened to all the chaos, trying to untangle it in my thoughts.

Soon, I could go. The peace around me was so relaxing, completely out of place in the clamor I heard. I wanted it. To rest forever in that peace. Why not? There was a very good reason, but I couldn’t call it to mind.

A numb buzz shot through my body and shattered my serenity.

It happened again. Only this time was more of a sharp pulse. The third time jolted like lightning. The fourth…Hell. Suddenly, the screams were coming from me. My heart’s relentless thundering added to my torment.



My chest burned like fire. It hurt to breathe. Cold air drove down my throat and into my lungs, amplifying the inferno in my chest. My skin felt scorched. It couldn’t be. It wasn’t right.

I had to see. I had to understand why pain dominated my existence like this. My eyes were fused shut. My breaths grew shallow, trying
to draw air when there was none. I tried to clench my teeth. I bit hard plastic. A pipe. Cold air suddenly forced back into my lungs, out of time with my own breathing. This was wrong. It wasn’t safe. I had to see. The best I got was a little fluttering of my lashes.

A high-pitched beep shot through my head. It repeated again and again. I wanted to reach over and slam my fist into its source. My arm wouldn’t lift. Something kept it trapped. A scream rose up from the depths of my soul, but the pipe jammed inside my throat stifled the sound. I only managed a whimper, trying my best not to gag. More air blasted into my lungs against my will. What was going on? I was trapped in my own body, but why?

I needed to move. I had to move. Now. Before… Even… Even though… Panic gripped me. The beeps increased at a frenetic pace. I needed to move. To be gone. Didn’t matter where. Just not here. Not defenseless. Not trapped.

The air sucked out of my lungs. I gasped, choking on nothing, strangled by invisible fingers. I tried to convulse my body. To twist myself free of what’s holding me.


The air rushed back in a cold flood. Seconds later it left, only to return in the same amount of time.

There was a rhythm to the air. In… out... in… out… The breaths were slow—sleep-like. I concentrated on this rhythm, striving to clear my head. If I wanted out, I needed to think. Calmly. Clearly. Eventually, those irritating beeps slowed. I tried to focus past the sound.

Voices buzzed about me, adding to my need to see, to do something to protect myself. No one seemed to pay attention to me. Good. I could use that to my advantage. 

I centered my every thought on moving my little finger. It finally jerked, but collided against something solid. So the thing trapping my arm was physical and too heavy for me to lift. It was better to be trapped than paralyzed. With luck I could escape my restraints. I tried my other hand, but it was cemented stuck as well. Right leg. Left leg. Damn it! Both trapped. I had to move!


No, I needed to stay calm. I tried to make larger movements, biting the pipe in my mouth against the urge to scream in pain. There was no wiggle room.

Fearing that I might be blindfolded, I focused on blinking. It worked. My eyes opened and the blur faded, revealing ceiling tiles. Why would there be tiles? Where was the canvas of hospital tents? The distant sounds of bombs dropping? The power of their explosions rushing through my blood?

No. That wasn’t right. I wasn’t there.

Where was I, then?

Can't wait Misha!!!

What about you? What's your favourite (or least favourite) piece of writing advice?
I always roll my eyes when I read the "Thou Must" lists. I've never followed a regular pattern in anything else in life, why should writing be any different?


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